Wednesday, March 27, 2019

Pitch List: Publisher's Eager for Manuscripts

Pitch your book to following publishers (please polish before you do so). This is not a personal recommendation of practices, only a researched list of who accepts unagented manuscripts. Submission rules and regulations can change without notice so do your due diligence.

And yes, you're welcome ;)

Page Street Publishing is a publisher of full color, mostly hardcover, gift books, cookbooks, and craft-books. They have recently started publishing young adult fiction. They have excellent distribution.
Charlesbridge publishes high quality books for children and young adults with the goal of creating lifelong readers and lifelong learners. They have good distribution.
Clean Teen Publishing is a small publisher started a number of years ago. They publish print and electronic versions of books. All of the books they publish are aimed at teens. Their selling point, and the reason they are named what they are, is that all books come with a really clear rating system, that they refer to as content disclosure. This is an unusual concept, and while I can see how it would appeal to parents, I am not sure how attractive it would be to most teenagers.
This Philadelphia based press publishes just 25 books a year in a whole range of genres, from children’s books to nonfiction to science fiction. Unlike most publishers that tackle a large range of topics, Quirk books has a clear marketing plan and to a certain degree their books have a cohesive feel, because they all are quirky.
They have published a wide variety of bestsellers and they have excellent distribution. Some of their bestsellers include The Last Policeman, Miss Peregrine’s Home for Peculiar Children, and Pride and Prejudice and Zombies. 
Diversion Books was started by Scott Waxman of Waxman Literary Agency. They publish a wide variety of fiction and nonfiction genres, including young adult.
An ePublisher primarily focused on publishing romance, they are open to publishing young adult romance.
The books they publish tend to be on the younger end of the young adult genre (think thirteen year old readers primarily). They are an established and respected publisher.
A large independent publisher based out of Illinois, they also have offices in Connecticut and New York. Source Books was started in 1987 by Dominique Raccah. They also have several imprints, all founded within the last decade. They started out publishing business books but then expanded to gift books.
They now publish fiction and nonfiction in a large variety of genres, with a particular focus on young adult books.
Arsenal Pulp Press is a Canadian small press based out of Vancouver. They have won the Jim Douglas Publisher of the Year Award (from the Association of Book Publishers of British Columbia), and they have been a finalist for Small Press Publisher of the Year (awarded by the Canadian Booksellers Association) five times.They have good distribution in Canada and on the West Coast. I’ve seen a number of their books in stores in the Pacific Northwest. They also regularly host and promote events for their authors, and that is a good sign as well.
Red Deer Press is a small press based out of Canada. They focus on publishing children’s books. They publish books for a whole range of ages starting with picture books and culminating with young adult books. Their books have good covers, are generally well reviewed, and have good distribution.
Tradewind Books is a small publisher of  books for children and young adults located in British Columbia, Canada. They publish beautifully illustrated books, chapter books, books for middle grade readers, and for young adults. They publish primarily fiction but also some poetry. They are not interested in nonfiction. It is important to note that they cannot accept novels by non-Canadian authors unless they are chapter books that require illustrations. They can accept submissions for picture books. If you are not Canadian, only submit books that require illustrations. All other books will not be considered.
Tell-Tale Publishing is a small press founded in 2009. They seem to focus primarily on eBooks but also they have print options (largely print on demand). They publish six imprints which include Dahlia (romance, and various romance subgenres), Stargazer (fantasy, steampunk), Nightshade (horror), Casablanca (mystery), Thistle (middle school, YA, new adult), and Deja Vu (reprints for all genres).

The Parliament House is a small eBook and print press started in 2016.  They specialize in fantasy, including paranormal, contemporary, and urban. Their website is well designed and the covers are well designed and market appropriate. They seem active on social media and more focused on recruiting readers than writers. The fantasy novels they tend to list as favorites are aimed at young adults, although they themselves do not say that they are a young adult publisher.
They publish a wide variety of genres including young adult fiction but they are only interested in publishing work with an environmental or ecological focus.
Filles Vertes Publishing was founded in 2016. It is a new publisher with only a few books under their belt and a few forthcoming books as well. They have print and electronic versions of all their books. They accept submissions of middle grade readers, young adult books, adult fiction, and adult fiction in all genres, which is a broad spectrum to publish.
Pajama Press is a publisher of books for children and young adults. They focus on publishing literary works. They publish books that fall into a wide range of categories including: picture books, board books for the very young, middle-grade novels, young adult novels, and non-fiction for all juvenile categories.
Triangle Square is an imprint of Seven Stories Press that focuses on publishing young adult novels and children’s books. Seven Stories Press is an independent publisher that is well respected and has been around for twenty years. Their books are distributed by Random House.
BelleBooks was founded in 1999 by a number of writers of Southern fiction. They focused on publishing works of Southern fiction before creating the now substantial imprint BelleBridge, which is open to a wide variety of genres including, cozy mysteries, women’s fiction, romance, fiction, nonfiction, science fiction, horror, fantasy, young adult, mystery, suspense, and thrillers.
Albert Whitman & Company has been around since 1919. I grew up reading a series the best-known series that they have published The Boxcar Children. Over the past few years they have started to focus on publishing a larger number of books each year. Their goal is to be publishing 150 new books a year by 2020.
Hot Key Books is an imprint of Bonnier Publishing which is part of the much larger international Bonnier, a large media group. Hot Key Books is based in the UK. They publish books for kids and teens between the ages of 8-18. The cover art for these books is exceptional. They also have a great, easy to use website.
Entangled Teen is the YA imprint of the romance publisher Entangled Publishing.Entangled Publishing is a newer company but they have had a lot of success in the genre of romance and they have sold a lot of books. They primarily operate on a digital first model, which usually means print runs only happen if/when the digital book has been successful.
Polis Books is an independent publisher of fiction and nonfiction, founded in 2013. Their focus is on publishing new voices. They are a technologically driven company. They publish print and digital books. Polis Books was founded by Jason Pinter. Mr. Pinter had over a decade of experience in editorial, marketing and publicity for a variety of publishers including Random House, St. Martin’s Press, and The Mysterious Press.


Tuesday, March 26, 2019

Blog Fodder

After the conference, I spent days whittling away at my inbox and last night, I was struck by an email from an old friend.

Despite having two novels do moderately well, my friend was struggling not just with writing but with balancing work with her growing family.She is now a mother of four instead of the small, single child with her first book. She desperately wanted to know how I "did it all." 


Let's be honest for one hot minute. 
Nobody does it all. 
Nobody.
I'm on the board of a few charitable organizations and no one, not a single person does it all
Even writing, a fairly solitary endeavor, is done by a single person (and if it is, you'll the lackluster craft in a jiffy). There's always an editor or beta reader, somebody other than the author who helps with the polishing act of publication. 
Success is never an isolated incident. Someone at some point helped.

 I can't do it all. 
Let's repeat that so everyone can remember, I can't do it all.
Hence the reason I'm stepping back from Writers of Kern (and the very reason I was hesitant to become president). 
I don't want to miss the beauty, the point of living. That's why we write, to articulate the meaning of all that surrounds us. We're the storytellers, the givers of insight and empathy. What might feel like a distraction, might actually be fodder for our writing. 
My friend is dedicated to her writing (as we all should be, protect those writing hours like you would a newborn's nap) and just needed affirmation that I am no different. And I'm not. I told her the nitty gritty of everything that has fallen a part in the last few weeks. She'll feel much better at my expense, which I'm more than happy to help in that area. 

Just remember, we have a calling. Not just to our craft but to the people who inspire us, who depend on us. 
We can't do it all. Nor should we.

Thursday, March 21, 2019

Writing Conference of Los Angeles


Hi Clarissa,

I hope the writing is going well. I am just dropping a line to say that an independent one-day Los Angeles writers conference is happening by you again on May 4, 2019 — the 2019 Writing Conference of Los Angeles. I wanted to pass on news if you'd like to return, or spread the word to your writers or writing groups. 

The conference has about 10 attending literary agents & editors taking in-person pitches from writers (that number will grow), and classes all day on how to get published. It looks to be a great event, and I was happy to be able to refer some of our agents to the 2019 event. 


Again, thank you. All you do is appreciated and valuable. 

Thanks! 

Best,
Chuck Sambuchino

Wednesday, March 20, 2019

Conference of 2019

Thank you to everyone who attended and helped pull off Writers of Kern Spring Conference, 2019 edition. It was no small feat. 

Just a few days before Adam (our headliner) flew in, he sent a text. His itinerary was backwards, leaving from Bakersfield instead of arriving in Bakersfield. I spent half the night on the phone with airlines straightening it out.

The next morning, I sent the new itinerary off to Adam who quickly pointed out the incorrect date. The airlines had switched from March 15 arrival to May 15. Another round of phone calls and they finally had him flying in on the correct date and city.

Adam arrived at the airport only to be told they'd changed his itinerary to fly in Saturday night, after the conference was already over.  He battled customer service in person while I paced in the middle of Target (phone glued to the ear with another airline supervisor). At last, he boarded a plane to Los Angeles.

 Granted, the time I was supposed to be driving to get Adam is the exact same time all three of my daughters were performing in a piano recital. We hijacked the recital's agenda and had them perform earlier, then Damon and I jumped in the car down to L.A.



Not once did Adam get frustrated. Not once did he throw up his hands and say, this isn't worth it. What most people don't know is he volunteered to come. He donated his speaking fee, not taking a dime.

With only a few hours of sleep (for all involved) and with huge sodas my husband handed us, we arrived at the conference. He didn't complain once nor did he turn down a picture. He was a class act the whole time.



After the conference and a nap, we picked him up for dinner, and bless him, he listened to Ava prattle on and on about her videos and Kind Girls organization. She was meeting one of her heroes in the flesh. And for once, I think I was kind of cool to my kids.




This is what a community is, writer helping writer. Some of us aren't just good authors but good souls as well. 

Monday, March 11, 2019

Week Three: Rejection Project

Instead of submitting more queries with the same ol' pitch, I opted for a more exciting adventure, #PitchMad.

From 8 am - 8 pm EST each author is allowed to pitch his or her book three times on Twitter. The rules are simple, only three pitches per book and each pitch must accompany #pitchmad as well as genre specific hashtags (#A for Adult or #WF for Women's Fiction...).

The beauty of Twitter is the limited characters, only 280 to be precise. It forces the author to whittle away the unnecessary fluff, uncovering the heart of the story. If an agent or editor is intrigued, he or she will simply "like" the post, signaling the author to query.

I received three of those elusive "like"s and will keep you posted on where those queries lead. For those interested in polishing your pitch, join us this weekend for our annual Pitch Perfect Contest!

Thursday, March 7, 2019

Happy #PitMad Day!

Today's the day for Twitter to go Pitch Wild. From 8 am to 8 pm EST prepublished authors are pitching their novels with only 280 characters. For more info check out their website here



Word of caution:
Always research inquiring parties. Many vanity/predatory publishing houses prey on naive writers. Self publishing is where the author maintains control and foots the bill but vanity publishing is where they get control while you foot the bill.

Tuesday, March 5, 2019

Dear Members


So much is happening in the next few weeks and we can’t wait for you to join.

Adam Berg will be here for our Spring Conference (Crayon Song will have you laughing in no time and the Scott Sterling clip has more than 65 million views). We’re just around the corner from releasing applications for our Peggy Connelly Scholarship. We have the Book Genie coming in April and our Writers of Kern Awards Dinner in May.

June marks the last month of our fiscal year, a time when the board decides on the future of Writers of Kern. After years of heading critique groups, I stepped in as this year’s president—with the board's herculean effort. My decision was for a twelve-year term only, which comes to a close July 1.

I love our WOK community and am so grateful for the ability to serve. Per our bylaws, we will have a nomination committee, spearheaded by our secretary, Janet Skibinski. Our wonderful writing group will continue as always.

If you are (or know someone who is) interested in serving on the board, or in any other leadership position, please—jump in! 

We have an incredible team consisting of the absolute best people.

See you at the Spring Conference on March 16th!

—Clarissa Kae


Monday, March 4, 2019

National Grammar Day

Good Morning Writers,

Today is National Grammar Day which means editors and English teachers unite in full force! Sadly, I'm a bit torn on this day. Many writers are tempted to spend more time on grammar than dialogue or characterization (the other way around as well). While grammar is important, don't get swept away by a flurry of ill placed commas. Remember the craft is more than sentence structure; it's the story as a whole, commas included.